Held at and Produced By:    

  
The Outcast General by Zuni Icosahedron

Danny Yung (Hongkong)

An experimental arts pioneer since the 1970s, director, producer, curator and playwright Danny Yung is one of the most influential artists and dynamic cultural figures in Hong Kong and Asia. He is also founder of Zuni Icosahedron, internationally recognised as the epitome of experimental theatre in Asia. Always at the forefront of the arts, Yung is a multi-disciplinary artist who has created and participated in more than a hundred productions, many of which often provoke controversy and censorship, and has been involved in a myriad of cross-cultural projects. A keen advocate of new art forms, Yung curated many early video arts programmes when video art in Hong Kong was in its infancy. His own experimental films, video arts and installation works have been shown at festivals in Copenhagen, Berlin, London, Edinburgh, Tokyo, Los Angeles and New York. Since the 1990s, Yung began to seek the next stage in the evolution of Chinese opera and, through his exploratory projects, encouraged traditional performing arts practitioners to reinvent themselves and bring fresh creativity to the development of traditional arts. Yung is equally tireless in his advocacy for the establishment of arts and cultural policies, international cultural exchanges and creative education through his roles in numerous institutions. He received the Merit Cross of the Order of Merit of the Federal Republic of Germany in 2009.

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Personally Speaking..

How would you describe your philosophy or approach in art making?
Creation is a dialectical process. Each creation is a summary and critique of my previous creations. This summary and self-criticism then form a basis for the development of a new creative direction. The analysis embodied in each of my creations serves as a response to and commentary of all the works ever created that I know of. With this sense of response and commentary, I can be more resilient to the challenges ahead.

Who or what was the biggest influence on your decision to become an artist?
When I was at UC Berkeley, it was during the height of the student movement, and that kind of open discussions was very enlightening to me. By the 70s, when I was at Columbia University, I was in the midst of another wave of student movement, only this time the discussions were more focused on the significance of education and on re-exploring the position of universities in social development, such as what the university should do but did not do, who should decide on the university courses, and how the curricula should be developed and assessed. Back then, these discussions were of course related to China's Cultural Revolution, but the debate in the US was confined within intellectual circles. I think they influenced me to some extent. I realised that when we encounter problems, we should first consider the importance of asking questions, followed by how to ask questions, the structure of the questions, and whether there are any problems with the questions themselves. The time when I was in New York also corresponded to a peak in the development of contemporary art in the US, so I got to witness the diversity and dialectics of the arts in the US, be it on the stage, in the art galleries. More importantly, there was vigorous discussion and exploration regarding arts and culture. Coming back to Asia, I wanted to share those experiences with friends around Asia.

What inspires or motivates you in your creative pursuits?
I throw questions at myself through my creations, hoping to induce self-reflection as well as attract other people's responses or create opportunities for dialogues. Dialogues can help us understand others and ourselves, from which we can explore new ideas and perspectives. When we understand ourselves and others, we have a basis to understand society and history; when we understand that, it is also more likely for us to understand the relationship between education, the economy, government and environment, and our cultural environment. The desire to �understand� stems from our willingness to develop our curiosity. The more curious we are, the less constrained we will be, and creativity will spring forth in an endless torrent.

What do you love most about creating art?
In the creative process, people of different backgrounds, cultures and experiences come together to discuss the past, present and future, to discuss what is theatre, what is culture, even what is the meaning of discussion.

http://www.zuni.org.hk

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